I am Darth Vader. Or breathing like him, anyway. It is suffocatingly hot under my niqab, or face veil, and I can hear my labored breathing, and feel the black cotton pulled into my mouth with each heavy breath. In, out, in out, Luke, I am your modest mother. Of course, with my head a faceless black orb, I suppose I resemble Vader in more than just his respiratory problems.
Living in a land where dress is one of the most controversial, loaded and complex topics to wrap my mind around, it seemed necessary that I experience veiling firsthand. I think that for most Westerners, it is difficult to imagine wearing the burka. We see pictures, and it appears unbearable. But even prior to coming here, I read countless interviews with Muslim women asserting that the burka is not restrictive. So I decided to see for myself.
When I bought my niqab at the custom abaya souk (shopping center) across the street from my building, I immediately went home and put it on. I was dying to know about visibility. The cloth is opaque, and it looked impossible. But, to my surprise, I could see. Things were darker and blurrier, but I was in no way blind. I was excited. Blindness had been my biggest fear for these women.
But after a moment, I realized that there were, in fact, severe impairments to my vision. It was impossible to read my computer screen or a book, or to see anything but blobby shapes in photographs. All but the largest prints and patterns disappeared from textiles. At the same time, I was struck by my reflection in the mirror. As with everything else, the details were gone, but it didn’t matter because my head and chest were a giant, black expanse. Like seeing oneself in a mask, I had the odd sensation of looking at myself but not seeing me. The strange thing was that my reflection was oddly compelling. I was not wearing the abaya. I was wearing the complete opposite – underwear. I expected to look degraded, ghostly, and troubling. But instead my reflection was surprisingly sexy. I looked (or rather, the reflection, because, without my face, it didn’t seem to be me) mysterious.
With the addition the abaya, however, the mystery disappeared. With the long black robe, the reflection ceased to appear sexy and exotic, and took on a ghoulish appearance. It was scary. I was nothing but a specter.
My friend Beth participated in the social experiment, as I called it, with me. As we got ready, struggling over how to pin our veils and tripping over our abayas, it was strange to look through my veil at my friend, standing right in front of me, and not see her. I could hear her voice, but where Beth stood was a black shade. I felt suddenly lonely and isolated.
It took us several days to fully assemble our outfits. Not knowing where to buy a fully-veiled abaya, we had to go to various stores. Once we had the whole getup on, we went outside. We decided to venture out at night or our first experiment because I was worried about passing out from the heat during the day. I come dangerously close to fainting on a regular basis when I’m wearing capris and t-shirts. But we are still in the desert, and nights are hot. The first wave of hot air hit me, and I gasped.
This is not my first time covering up. I have worn hijabs and abayas when visiting mosques. It has always been really, really hot, and thoroughly uncomfortable, but I have never had a problem with veiling for a mosque visit. It seems fair and respectful. My obvious identity as a tourist also granted me a degree of freedom. During visiting hours, mosques are not open for prayer, and no one is going to mind if I wear the hijab loosely, stop to adjust it, trip over the abaya or walk clumsily in it.
But out here, on the street, it is different. I want to wear it correctly. I want to experience what it is like to be veiled in everyday life. This is surprisingly difficult. From the first step, I realize I have no idea how to walk in an abaya properly. I don’t know how to hold my shoulders or head. My natural plodding steps feel seriously wrong. The women here glide, so I will do that. I keep my body small, pull my shoulders in, and try to take small, elegant steps. The abaya is easier to walk in than I had anticipated, though it would be difficult to run. But I am still positive I look funny walking. I also want to adjust my robes, but I feel like I am fidgeting too much. Early in our walk, I need to scratch my nose but am at a loss of how to do it with the veil over my face.
Out in the burka, I feel terribly conspicuous. It must be obvious that I don’t know how to walk in this thing. It must be obvious that I don’t belong here. This is worse than middle school. This is not what I should be wearing.
At the same time, I am strangely invisible. The self-consciousness is all in my head. No one in the world but Beth knows that it is me, Jessie, underneath this veil.
Reminding myself that no one can see me is strangely calming. I have always had issues with the fact that veiled women are rendered invisible, but invisibility is a welcome alternative to feeling conspicuous in a costume I have no business in and no idea how to wear. And as I get used to the idea that no one can see me, that I am hidden in plain sight, I can focus more on how wearing a burka actually feels.
After the first blast of hot air, I acclimate a little and think I can do this. So I ignore the heat, and think cold thoughts, and look around through my veil. I am on my street, which I see every day. But all is different. Under the gauzy cloth, the street lights are orange halos expanding and contracting and making me dizzy. Headlights shimmy, throwing off my perception of where the oncoming cars actually are. Buildings are imposing, featureless shapes. My peripheral vision is seriously impaired, so cars – always a danger in these poorly designed, narrow streets – sneak up behind me unseen. Though on some level I almost think I am Darth Vader, surrounded in armor and untouchable, I also know that I am a dark shape out on a dark street. I know how difficult I must be to see; I have come close to walking into covered, shadowy women many times since moving here. Suddenly the ever-present threat of being hit by a car is much more serious.
My street is made of concrete high-rises, cars and people and street cats and mosques. It is hot, and all of these structures and all of this life give off their own, additional waves of heat. My sweat is starting to collect in the scarf around my neck, and I want to wipe it off, to fan my face, to let the air in, but I can’t. At a break in the traffic, when the brief absence of horns and engines provides a moment of relative quiet, I realize that I can hear my own, labored breathing.
We cross the street and head towards the corniche. The corniche is one of my favorite places in Sharjah, a wide, grassy walkway along a large lagoon. It is lined with date-palms and filled with pedestrians, exercisers, and families out barbecuing. At night, when it is cool enough to be outside, the tall buildings around it cast long, neon reflections over the water and the trash in the lagoon is harder to see. The water dulls the typical Sharjah smells of garbage, body odor and frankincense. I come here almost every night. There is nowhere I am more comfortable in Sharjah.
But even this, my safe harbor, is warped under the veil. To reach the walkway, we must walk through a grove of palm trees, planted in soldier-straight lines. Everyone loves this grove; we call it the “enchanted palm tree forest.” I have not seen a place with more green anywhere in this country. But now, despite their uniform rows, the trees seem to jump out at me. With my vision blurred and darkened, the enchanted palm tree forest looks less like a home for fairies and gumdrops and more like the realm of fiends.
When we reach the walkway, the brick paving on the corniche walkway gives me pause, as my depth perception has been thrown off and an uneven brick combined with long robes could lead to a face-plant. The slight breeze off the water cools me off a little, but creates the problem of blowing my veils around. Still, breathing is, mercifully, easier.
One thing that I like about the corniche is that it is less isolating than the rest of the city. People do not greet each other, but there is more eye contact, more half-smiles, less hostility. But that semblance of community disappears under the veil. There are lots of walkers on the corniche. They pass right by me, but I cannot see their faces. They are not wearing niqab, but they might as well be for all I can see. Their features and expressions are gone. There are so many layers between me and the world.
I remind myself that Beth is next to me, and look over at her. Of course, I can see nothing but a blob. We haven’t spoken much. “This is so weird,” I whisper to her, but it feels strange to speak. The veil is silencing. Though it in no way actually inhibits my ability to talk, psychologically, having a black shroud over my face makes me feel that I should be quiet.
So we walk in silence, past the shapes of humans and the shapes of palm trees, and I try to ignore the sticky sweat, the squeezing heat, until Beth says, “I need to sit down.” We find a bench, and Beth begins to talk quietly about the discomfort and heat, and the strange feeling of invisibility. By talking, I realize that I am, indeed, able to move my mouth, though no one can see. This is oddly freeing and fun. “I’m tonguing everyone,” Beth says, and I giggle, which feels really strange with my face covered. We sit for a while, making invisible faces at passerby, tonguing and crossing our eyes and clownishly widening our mouths.
As I make faces and watch the blurred forms go by, I begin to notice a pattern. Men are turning towards us. Startled, I realize they are checking us out. I cannot clearly see their faces, but their heads are moving up and down in the universal once-over motion. It is a motion that has become a part of my every-day life here, as I have my share of gawkers and stalkers, and men who assume I’m a Russian prostitute.
“How can they be checking us out?” I whisper. “They can’t see us.”
“They’re weird here.”
“Do you think they know we’re fakers?” I ask worriedly.
“No.”
I remember then about the covered-woman fetish. A few of our co-workers, other covered women, have talked about it, but I had a hard time believing it was true until now.
It makes sense, when I think about it. I have always felt that there is something blatantly sexual about the hijab, with its dual emphasis on mystery and modesty. I know that many women wear the full burka because their husbands jealously claim their wives’ beauty for their eyes only. This approach, in turn, encourages fascination among other men. I watch their blobby heads move up and down, checking out my shapeless form. They are disrobing me with their eyes, exactly the same way that they do when I let my calves see light.
At the same time, these men are told that good women are modest. Complete coverage is a way to proclaiming your modesty to the world, making covered women extra attractive to some men.
The knowledge that I am being checked out, that I can’t escape the uncomfortable stares even when I have covered myself up in a sack, is depressing and exhausting. Over the months, I have started to feel that covering up would almost be a welcome alternative to the stares. But they appear to be inescapable, and that reality makes the discomfort, the limited vision, inability to run, and shadowy invisibility of the burka seem entirely pointless.
It is hot, and I am depressed. Beth and I stand and begin to head back. I want beauty to make me feel better, as it often does, so passing the grand corniche mosque, I try to take in its architectural flourishes. I try to appreciate the orb of the palm trees. But their beauty is dimmed under my veil, and I cannot see them properly. Suddenly it hits me: countless women never get to see the world, in all its beauty, clearly. They will never see what a perfectly formed date-palm actually looks like, or the smooth, intricate lines of a flower petal. Maybe they have gardens at home, but what about apartment-dwellers? And what about the world beyond the villa walls? It is frustrating and uncomfortable to wear this outfit for a few hours one March evening. But women throughout the world wear this every day, for much of their lives. With the end of girlhood comes not only the knowledge that bras and tampons will be part of life, but the end of a clear view of the world. Do they look back on their childhoods as a half-forgotten time when their eyes were unobstructed?
I cannot be consumed with depressing thoughts for too long, though; the heat is really getting to me and I have to focus all my power on putting one foot in front of the other, not fainting, and continuing to breathe. Gone is the worry that I my walk is too clunky; I just need to get home. I am dizzy. This is like a sauna or a sweat lodge, but without the ability to take a proper, unobstructed breath of hot air.
When we have almost made it back, and I am sweltering and sick but sure I can make it, we pass our neighborhood mosque. Suddenly, the minarets come to life with a call to prayer. Everything visual, and much that is kinesthetic, is altered under the veil, so it is a surprise that I can still have such a strong auditory experience. Wearing this, nothing but the strangeness and the heat overwhelm. But the call to prayer, with its wavering cries, is as loud as ever. In a world where everything is half of what it should be, where faces are vague and undefined, where lights are distorted and scary, the only thing that is real and clear is the mosque, calling us to praise and submit to Allah.